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30 DAYS OF ART

30 Days of Art Challenge

DAY#1

Life Sketch by Andrew Gable

I have been contemplating doing this now for a while where i challenge myself to a walk a 30 days of art process where i publish something NEW i have created that day

to my social media. Initially i thought this would be a great way to share more of my art, art process, and Myself, as well as pushing myself to create new art each day. This is a quick sketch i did of my partner as we were in a cafe enjoying an afternoon coffee. For Christmas this year I asked for a small sketchbook that I could carry around in my pocket, so here is the first time I cracked it open!

 

 

 

 

 

 

DAY#2

Today i worked on my orca painting. I had painted in some water ripples the previous day but wanted to restructure the flow of the ripples at the top of the painting. I had painted in 4 ripples initially but thought 3 would be better to slow the feel of the painting down a bit. So worked on that today.

Work in Progress – See More Like this in Wildlife Paintings Section

 

Day #3

For todays Art Share, i pulled a tarot card as a jumping off point and pulled the word “Conditioning” which showed a Lion surrounded by and covered in sheep. From there i observed how sometimes “conditioning” for me is like being covered and surrounded within and without by strings of memories, thoughts, pictures, emotions where you kind of have to start with one of those strings and begin untangling all the threads by just taking one point and walking it into understanding.

imaginative drawing in my sketchbook – See More Like This in Drawings Gallery

 

Day #4

Here i show some raw video of me applying a wash layer of green to the foreground of my painting. I would eventually take this further into the piece to create the affect that the Orca is submerged into his environment. As i get to know acrylics more i have naturally gravitated to using washes as a method to build the painting. Something that i never really did with oils.

 

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The Secret To Becoming An Artist

Original Drawing By Andrew Gable

 

My Expressive Period.

Throughout my process as an artist my style of the work I do has shifted, changed, and evolved. In retrospect I can begin to see specific phases and stages of the development of my art, and within that I can see the particular “values” that I was holding during those years that ultimately ended up shaping and forming the work. One such “value” that I see in looking back over the artwork that I have created during the years that is quite a prominent thread running throughout almost all my work is the point of “Expression”. Now in one period in particular I can see this point of expression was quite dominant and andrew gable artI held to be of the utmost importance when I created my work. I remember during this time that I would never pre-plan anything. My focus at the time was simply “creating in the moment” as a result I would be preparing my canvases and I would have no idea what I wanted to paint, but that this was done on purpose, and as such it was a kind of a rule. So, the rule, was that “I have no rules”, lol. This aspect has changed throughout the years, but I still do see it existing within me and it still does come up in the creating of my work in varying degrees. I can never recreate work I did in the past. It was specific to my beliefs, values, and situation at the time. My theory during my ‘Expressive Period’ was that I couldn’t use “I don’t know what to paint” as an excuse not to do art. In fact this reminds me of a very influential statement I read when I was around 16 or 17 years old that struck a chord within me and that would in a lot of ways serve as inspiration, direction and motivation for my art in the proceeding years, and even today, this statement I read at that time is still a part of me.

original drawing by andrew gableThe statement came from an Italian Renaissance workshop by way of conversation between the Master artist and his curious apprentice. Perhaps maybe the inquiry of a young Michelangelo or Leonardo. The young artist was curious about what made a great artist and what the secret was. The Masters response was grounded, and sober. “Draw Every Day Without Fail”…..When I read this, I stopped in my tracks. I realized the simplicity of becoming effective at art or anything that one wants to do. This statement was so inspiring to me and supported me during my early development and beyond which in part was why I adapted a way of working where I would not allow “not having good ideas” as a reason or justification to not create art.

 

So I would simply paint, whether I had a ‘good’ idea or not, or no idea at all. This allowed me to move through drawings that were very much free-flowing and expressive.

As adults we tend to get stuck in patterns, and hardened into routines and ways of being and doing things where if you observe a child, they are much more free and expressive and not so hung up on if what they are doing is right or wrong or what other people think about it, they just express, unconditionally, and so for me during my expressive period, my art was unconditional in a way, I was just exploring and expressing as an artist.

View my Drawings Gallery

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Inside The Artists Studio Update

Stone Carving, Andrew Gable, in progress

Today I worked on a new project that I started yesterday. It’s an alabaster sculpture of a sitting polar bear. My first one in this sitting pose. The alabaster is nice because it is a softer stone which allows me to work more with hand tools if I so chose. Sometimes I will spend some time shaping with a small rasp because in these moments, I can just turn the power tools off and slow and quiet things down for a moment. I especially do this while working on the faces of the animals that I carve.

 

stone art andrew gable
I was also finishing up another Custom project this week of a Samoyed dog sculpture where the clients wanted some stone inlays done and so I was busy with that this week which can be quite a tedious process.

Other than that I have been spending some time in the evenings after carving re-designing my website, aligning it in a way that is current and representing WHO I AM at the moment in my life and in my career. I have done this so many times, maybe 6 or 7 times since I first put my website live in 2012. The website is really an ongoing, ever-evolving process.

So this has been an interesting time for me as I continue to explore different directions with my art where lately I am pushing in a few different directions to see which one of these gets some traction. That is honestly what I like about being an Artist. I like the diversity and range of things that goes into doing this professionally where at this stage consists of carving stone during the week, and then doing some drawings on the weekends or in the evenings. Also, I work quite closely with the gallery that sells my sculpture, and I usually spend 1 day a week on the gallery sales floor speaking to customers and packaging any recent sales that I have had. Then in my spare time, I will work on my website, adding content, writing blogs, sharing photos, and doing my social media stuff. There is quite a lot to maintaining an engaging digital profile as an artist which I am still getting the hang of but find it deeply creative. Doing my online work is quite interesting to me because the internet is vast and it is a great place to showcase artwork as well as being able to interact and engage with people who are interested in my Art. Ultimately it is my goal to make sure that anyone that ends up on my website or any of my art pages, knows that there is a Real Human on the other side and not some ‘automated robot marketing machine’ which I think could actually be beneficial to have as a particular personality suit hat one has in ones closet to wear strategically enough to encourage sales of the work. But for me, one who has always been more of a recluse, I see its as important to really share who I am though my media channels so people that like my work can get to know me on a more personal level.
Okay, just thought I’d do a quick update from Inside the Artists Studio.

stone sculpture, contemporary art by andrew gable

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Embracing Selling Your Art – The Final Stage of the Creation Cycle

 

original art for sale

One important part of my creative process as an artist is the part where I actually have to sell the work that I make. To me, in this day and age, selling the work is an important part of the creative cycle that initially begins with the conception of the work, then moves into the actual creation of the art work, and then finally closes upon the sale of the work,  which then fuels the next creative cycle to begin.

Selling my artwork wasn’t something I became interested in until about 5 years ago around which time I realized how selling the work was actually a part of the creative process in itself.

For me, learning to sell my work has been quite an education process.

3 years ago, I started working closely with an Art Gallery which represented my sculptural work. After a few months of working with the gallery, I began spending some time on the gallery sales floor selling the work in the gallery and selling my own work. That is, if I was able to.

I was so nervous in the beginning, and still to this day, I am still very much learning the whole sales process and how to do this effectively and with integrity. But those early days, whenever a customer would walk into the gallery, immediately within myself a surge of anxiety would shoot up into what felt like my entire body, and I would freeze and go into a fear. Now from the outside you might not notice this happening, but it was quite an internal experience to have happen each time someone walked into the gallery. But during this time, I had already made a decision within myself to Learn how to sell my art and so fundamentally I understood that this meant walking through that fear/anxiety experience. In practical terms, this meant, moving myself out from behind my desk, even though there was a ball of anxiety in my chest, and walking over to greet the customer. Often times the words coming out of me initially were a bit shaky, but It was actually a cool process to walk through what seemed like such an extensive amount of anxiety to within minutes be able to be standing there chatting with customers about the work feeling much more relaxed, calm, and stable, within myself. That anxiety and fear would eventually just go away once I pushed through that initial intensity of it and just say ‘Hello’ to the customers that walked in, and then push myself to start talking them about what ever I could find or just make up to get the conversation moving. Ultimately, it was my job now to make conversation, and so I just would dive in and start talking often, having no idea what I was about to say. I remember one instance where my words were so jumbled I couldn’t even understand what I was saying, but I just smiled, and they smiled, and I just moved on, and found some other point to communicate about.

I just knew that, getting over this anxiety was something I had to do and in the moment, the only way I knew how to do that was to just walk through it and face my fear in a way.

I have become much more comfortable over the past 2 years in speaking and interacting to customers but I definitely do see still emotional reactions that I can support myself to overcome.

Ultimately, I really enjoy the whole sales aspect of creating art and would encourage any artist out there to embrace this side of the creative process.

Original Drawing - Tree of Life by Andrew Gable

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My Creative Process for “Feareless”

SEE THE FINISHED PIECE HERE

 

Timeline

With this piece, the first thing I did was I actually cut and sanded a small portion of the stone to see what kind of stone it was. Then based on the different parameters such as stone type, color, size, ect, I decide what I am going to carve.

I was wanting to do another carving of a grizzly and after I noticed that this particular stone was brown alabaster I figured it would be perfect for a grizzly.

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Next I will decide what is the most effective way to utilize the stone to do the carving. Once that is determined I will cut a flat base which will be the bottom. I have learned over time that this stage is crucial. Doing a nice flat cut in the beginning will make sure all 4 legs of the bear will be firmly planted on the ground and will make the piece nice and stable in the end.

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I will often use a wax pencil to rough out a basic drawing of the pose. This is just a general guideline to get things started and to begin to get the size of the bear in place.
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Alright so here now I am starting to bring the shape out. With this guy and what I will do often is I will start to establish the face right away. I find the face can sometimes be the most intricate so I like to get started on this right away and start to lock it in. Once I have that in place, I can use it as a way to measure the ratios and proportions of the rest of the body.

Also during these early stages I am identifying any problem areas in the stone which would require me to alter the design. A problem area is like for instance a crack or fault that might end up breaking away later on.

Often the most fragile parts of the stone is the outer edges where once you start getting into the core of the stone its allot more stable.

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A Bear Emerges!

This is such a cool phase of the carving process where you start to see the character of the animal emerge. Here you can already start to see this guy coming out even after only a few cuts. At this stage I am working mostly with a 5″ diamond blade on a hand held grinder. This allows me to carve fairly quickly. I will explore different approaches to carving a piece where sometimes I move quickly and sometimes I will slow myself down quite a bit. This is to see the overall affect that this creates in the final piece. Whether moving fast or slow, I try and remain comfortable and natural in my movements.

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Okay I have the overall shape pretty much locked in. Now its just a matter of refining some areas before I get into polishing.

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Okay getting close now. I have the muscle definition pretty much where I want it and rounded off the feet. Next step is about 4 or 5 layers of sanding and polishing and then a coat of sealer and wax to shine and protect it.

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The final step before polishing is usually the nose, the eyes, and the mouth. I decided to keep the feet relatively simple for this guy.

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Done!

Looks Great.

Sanded, Polished and in the gallery. Really loved the patterning and coloration in the stone for this one. It kind of reminds me of pebbles or rocks or stones so thought this suited the rugged Grizzly Bear perfectly.

See you next time.

 SEE THE FULL PICTURE INVENTORY OF THE FINISHED PIECE HERE

 

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Overcoming Creative Block and Becoming Inspired to Work

inspiration-exists-quote-picasso

The point I want to write about today is the point of Inspiration. The reason I want to write about this is because I find there is allot of misconceptions about inspiration. I often hear people talking about “waiting for inspiration” or “the don’t feel very inspired” and so because of this they end up not moving themselves. Or not doing something that they in fact would really like to do.

I discovered early on that inspiration is cool, it is a powerful force, though there is another force that is even more powerful than inspiration – YOU!

I do not require inspiration or motivation to work because I am the one who decides if I am going to work or not.

Its quite cool because many days I have no inspiration, and other days I do. Yet I work all the same.

Now through the years, I have refined this application and yes, it is still a work in progress where some days I get trapped by that whole ‘inspiration excuse’ where I just really really really don’t feel like working. And so I still have work to do to really take back my power so to speak.

I find this word ‘inspiration’ is often attached to creative work, and artists.

And then there is the whole concept of ‘writers block’ or ‘creative block’. But I have found for myself that this is no different than simply not wanting to do something. I have been grateful to have adjusted my approach to creating art to where I now align my application to PRINCIPLE not Inspiration, or if I feel like it or not.

I have created allot of my best art when I didn’t really feel like getting up and going to work, but I did, and I pushed through the resistance and got myself moving and then suddenly things weren’t all that bad and even often after I walk through that initial “feeling uninspired” and just got myself moving and working on what ever piece of art I had going for that day, that suddenly I was inspired.

So

In a way, I see that one has to become inspiration for themselves. Where one must create their own inspiration and not wait for it.

Yes, it might be tough, you might not feel like it, it might be uncomfortable, but its worth it!

So my suggestion when facing a creative block is to firstly realize that it could just be “you just don’t feel like doing anything” and that is not really creative block, that is just the plight of the human being who has become more inclined to instant gratification than disciplined self movement.

So my suggestion when facing creative block or facing that experience when you just don’t have inspiration, is to take a breath, gather yourself here, and remember that there is a force more powerful than inspiration – and that force is you and sometimes you just have to force yourself into movement, into action. Its normal, its natural, so dare to move and dare to improve . It’s a challenge, but why else are we here on planet earth. And this suggestion can be for anything, for something artistic, something business related, maybe you notice your environment is getting a little messy and you have been wanting to clean up. Perhaps we have given too much of our power away to this interesting thing called Inspiration. Now its time to realize that we must be the power that moves us through our lives. Inspiration is like luck, it may or may not play a part, so we must base our Living Expression and Actions on something more predictable and Stable, and that is US, our own SELF Movement and SELF Motivation and SELF Inspiration.

More Links about this

https://www.psychologytoday.com/blog/creating-in-flow/201209/10-creative-block-breakers-actually-work

http://www.artbizblog.com/2009/01/get-out-and-gain-inspiration.html