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30 DAYS OF ART

30 Days of Art Challenge

DAY#1

Life Sketch by Andrew Gable

I have been contemplating doing this now for a while where i challenge myself to a walk a 30 days of art process where i publish something NEW i have created that day

to my social media. Initially i thought this would be a great way to share more of my art, art process, and Myself, as well as pushing myself to create new art each day. This is a quick sketch i did of my partner as we were in a cafe enjoying an afternoon coffee. For Christmas this year I asked for a small sketchbook that I could carry around in my pocket, so here is the first time I cracked it open!

 

 

 

 

 

 

DAY#2

Today i worked on my orca painting. I had painted in some water ripples the previous day but wanted to restructure the flow of the ripples at the top of the painting. I had painted in 4 ripples initially but thought 3 would be better to slow the feel of the painting down a bit. So worked on that today.

Work in Progress – See More Like this in Wildlife Paintings Section

 

Day #3

For todays Art Share, i pulled a tarot card as a jumping off point and pulled the word “Conditioning” which showed a Lion surrounded by and covered in sheep. From there i observed how sometimes “conditioning” for me is like being covered and surrounded within and without by strings of memories, thoughts, pictures, emotions where you kind of have to start with one of those strings and begin untangling all the threads by just taking one point and walking it into understanding.

imaginative drawing in my sketchbook – See More Like This in Drawings Gallery

 

Day #4

Here i show some raw video of me applying a wash layer of green to the foreground of my painting. I would eventually take this further into the piece to create the affect that the Orca is submerged into his environment. As i get to know acrylics more i have naturally gravitated to using washes as a method to build the painting. Something that i never really did with oils.

 

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Portrait of a Mountain

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When I go out to paint, I will at times have specific things that I am going to work on. With this painting, the word that was prominent within me as I headed out to paint was the word “Portrait”. I wanted to create a portrait of a mountain. for me, I didn’t want to just go out and paint some general mountain scene. The more I have been going out to paint here in Whistler BC, the more I have noticed an inclination within me to document specific areas or scenes around the area. Actually this inclination, if I trace it back, came from a visit to the new museum that was build here in Whistler called the Audain Art Museum , particularly the EJ Hughes gallery. I was inspired by Hughes’ attention to detail and specificity in capturing all the details so quintessential to the area that he was painting. Since then, I have been practicing this into my own work. So when I went out to create this particular work, my aim was to paint a portrait, something specific, something unique, not just some general mountain. Now I wasn’t exactly sure how I would do this, but it is what I aimed to do. As a result, I noticed I payed closer attention to the peaks on the mountain as well as the way the ski runs gave this mountain its unique characteristics. The above painting is a depiction of  Whistler Mountain as seen from the north end of whistler.

Definitely will be doing more “portraits of the landscape” as I develop my plein air painting series.

Enjoy.

 

For purchase details e-mail  – andrewgable@hotmail.com
View this painting

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Inside The Artists Studio Update

Stone Carving, Andrew Gable, in progress

Today I worked on a new project that I started yesterday. It’s an alabaster sculpture of a sitting polar bear. My first one in this sitting pose. The alabaster is nice because it is a softer stone which allows me to work more with hand tools if I so chose. Sometimes I will spend some time shaping with a small rasp because in these moments, I can just turn the power tools off and slow and quiet things down for a moment. I especially do this while working on the faces of the animals that I carve.

 

stone art andrew gable
I was also finishing up another Custom project this week of a Samoyed dog sculpture where the clients wanted some stone inlays done and so I was busy with that this week which can be quite a tedious process.

Other than that I have been spending some time in the evenings after carving re-designing my website, aligning it in a way that is current and representing WHO I AM at the moment in my life and in my career. I have done this so many times, maybe 6 or 7 times since I first put my website live in 2012. The website is really an ongoing, ever-evolving process.

So this has been an interesting time for me as I continue to explore different directions with my art where lately I am pushing in a few different directions to see which one of these gets some traction. That is honestly what I like about being an Artist. I like the diversity and range of things that goes into doing this professionally where at this stage consists of carving stone during the week, and then doing some drawings on the weekends or in the evenings. Also, I work quite closely with the gallery that sells my sculpture, and I usually spend 1 day a week on the gallery sales floor speaking to customers and packaging any recent sales that I have had. Then in my spare time, I will work on my website, adding content, writing blogs, sharing photos, and doing my social media stuff. There is quite a lot to maintaining an engaging digital profile as an artist which I am still getting the hang of but find it deeply creative. Doing my online work is quite interesting to me because the internet is vast and it is a great place to showcase artwork as well as being able to interact and engage with people who are interested in my Art. Ultimately it is my goal to make sure that anyone that ends up on my website or any of my art pages, knows that there is a Real Human on the other side and not some ‘automated robot marketing machine’ which I think could actually be beneficial to have as a particular personality suit hat one has in ones closet to wear strategically enough to encourage sales of the work. But for me, one who has always been more of a recluse, I see its as important to really share who I am though my media channels so people that like my work can get to know me on a more personal level.
Okay, just thought I’d do a quick update from Inside the Artists Studio.

stone sculpture, contemporary art by andrew gable

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Embracing Myself and Embracing The Art I Make

 

Studio Wide View

 

So I am in the process of re-designing my website…….again. I have re-designed and re-aligned my

Fire - Original Drawing by Andrew Gablewebsite probably 10 times over the past 4 years since I put it online for the first time. To be honest, I find creating the website just as fun and engaging as creating the artwork to go on it.

This time around I am doing something that I haven’t yet tested out, and that is, to include ALL of my artwork. What I mean, is that you can now find my drawings, my paintings, and my sculpture all included on my website where previously I have tested out focusing on just one or two of those areas.

20150126_153738I initially tried separating my work because I found it to be quite contrasting, however at this stage, I am rather more embracing those differences which is actually all coming from ME anyways which means it IS ME, and so I have decided to simply include ALL of me into my website this time around. I hope this will also make the overall experience more enriching for myself and for those who come onto my website.

Recently, I also carved my second figurative piece where my main focus with my sculptures is wildlife. This again, is me simply testing out new ways to make art and not to pre-judge it, which really just prevents it from coming into existence so best to just do it and see what the response is.

And man, the inner talk I had going on as I walked this process of doing my second figurative sculpture was quite a lot and I had to often just collect myself, center myself and continue the carving process even though  a part of me just wanted to abandon it.

So Overall, as I walk my process with art, I am at the moment practicing embracing MORE of Myself and stopping that whole tendency to want to edit and control myself which in some ways is just based on Self Judgement.

I finished the figurative piece, and find it to be quite interesting, and already have more ideas to do more of them. So, I am grateful I didn’t allow my own self judgement prevent me from trying something new here.

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Overcoming Creative Block and Becoming Inspired to Work

inspiration-exists-quote-picasso

The point I want to write about today is the point of Inspiration. The reason I want to write about this is because I find there is allot of misconceptions about inspiration. I often hear people talking about “waiting for inspiration” or “the don’t feel very inspired” and so because of this they end up not moving themselves. Or not doing something that they in fact would really like to do.

I discovered early on that inspiration is cool, it is a powerful force, though there is another force that is even more powerful than inspiration – YOU!

I do not require inspiration or motivation to work because I am the one who decides if I am going to work or not.

Its quite cool because many days I have no inspiration, and other days I do. Yet I work all the same.

Now through the years, I have refined this application and yes, it is still a work in progress where some days I get trapped by that whole ‘inspiration excuse’ where I just really really really don’t feel like working. And so I still have work to do to really take back my power so to speak.

I find this word ‘inspiration’ is often attached to creative work, and artists.

And then there is the whole concept of ‘writers block’ or ‘creative block’. But I have found for myself that this is no different than simply not wanting to do something. I have been grateful to have adjusted my approach to creating art to where I now align my application to PRINCIPLE not Inspiration, or if I feel like it or not.

I have created allot of my best art when I didn’t really feel like getting up and going to work, but I did, and I pushed through the resistance and got myself moving and then suddenly things weren’t all that bad and even often after I walk through that initial “feeling uninspired” and just got myself moving and working on what ever piece of art I had going for that day, that suddenly I was inspired.

So

In a way, I see that one has to become inspiration for themselves. Where one must create their own inspiration and not wait for it.

Yes, it might be tough, you might not feel like it, it might be uncomfortable, but its worth it!

So my suggestion when facing a creative block is to firstly realize that it could just be “you just don’t feel like doing anything” and that is not really creative block, that is just the plight of the human being who has become more inclined to instant gratification than disciplined self movement.

So my suggestion when facing creative block or facing that experience when you just don’t have inspiration, is to take a breath, gather yourself here, and remember that there is a force more powerful than inspiration – and that force is you and sometimes you just have to force yourself into movement, into action. Its normal, its natural, so dare to move and dare to improve . It’s a challenge, but why else are we here on planet earth. And this suggestion can be for anything, for something artistic, something business related, maybe you notice your environment is getting a little messy and you have been wanting to clean up. Perhaps we have given too much of our power away to this interesting thing called Inspiration. Now its time to realize that we must be the power that moves us through our lives. Inspiration is like luck, it may or may not play a part, so we must base our Living Expression and Actions on something more predictable and Stable, and that is US, our own SELF Movement and SELF Motivation and SELF Inspiration.

More Links about this

https://www.psychologytoday.com/blog/creating-in-flow/201209/10-creative-block-breakers-actually-work

http://www.artbizblog.com/2009/01/get-out-and-gain-inspiration.html

 

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The Carving Process – A Picture Timeline

 

Lets Do Some CarvingI have recently started a new project working as a stone carver in collaboration with Fathom Stone Art Gallery and Studio.
So here I am going to walk you through the carving process giving some insight into all that is involved in such a process.

Lets Get Started!

Phase 1

So the fist Phase is you start with a Stone, For this particular stone I had already before hand had a few ideas of what I would like to try out in terms of the position/posture of the bear I was going to carve. When I saw the shape of this stone, it was immediate where I could see ‘oh this would work for a standing bear’.

 

Phase 1 (768x1024)

 

 

 

 

So during phase one I find I really look at the rock, turning it and flipping it and looking at the natural shape of the rock to see how/if this already start to inform the shape the bear. This particular rock had one point that was kind of ‘sticking out’ form the rest of the rock that was already shaped like an elbow, and so I found I followed this ‘line’ and that eventually became the shoulder and arm of the standing bear.

 

 

 

 

Phase 2

Here I start to actually carve away the stone using an electric grinder. Basically here I was aiming at  establishing the ‘size’ of the head so that when I worked down from there that I would be able to proportionality fit in the rest of the bear. I had a few sketches that I had done, and also photo references that I was using as a basic guideline.

Phase 2b (768x1024)phase 2a (768x1024)

 

Phase 3

Here you can see the bear start to emerge. I found I more focused on establishing the basics of the head and then working down from there . I also found here that the natural cuts that the grinder makes creates a ‘fur like’ texture so at this stage i decided that I would see if I could keep some of those natural grinder cuts in the final piece to represent a tuft of hair around the neck of the bear.

phase 3 (758x1024)

 

Phase 4

So continuing with cutting away the stone with a grinder. This phase is also quite cool because you can not also start to see the natural colors and patterns of the rock start to emerge and get an idea of how these are going to look like on the final piece. Its kind of like unwrapping a present. This one has an awesome dark purple streak running along the back of the bear which creates quite a cool look.

phase 4 (768x1024)phase 4 front (754x1024)

 

phase 4b (768x1024)

 

phase 4a (764x1024)

 

 

Phase 5

Ok so now I am just about ready to take the bear into the Gallery and start the final cutting and then moving into sanding and polishing and doing the more finer details like the nose, eyes, ears etc. During this process I found each night I would often go and gather more references so that I could see exactly how for instance a bears ear looks like, or the way the arm muscles move in certain positions.

In the beginning I envisioned this bear standing on a rock, but as I walked the carving process I had to reassess things because as you can see this base was getting smaller and smaller and so around about this time I decided to take out the base completely and just have the bear standing on its own. This presented a new challenge which was to make sure the bear was Balanced! I had a few nervous moments where the thought entered my mind of ‘oh my god this bear is going to tip over’ but slowly but surely I adjusted and tweaked the bear and the position of the legs and arms so that everything was positioned and ‘sat’ in a balanced way. In the end the bear actually ended up being quite stable in this standing which is cool. I mean Sure-footedness is something that Id like for myself and my bear. To be Sure Footed, STABLE, Solid. So yes in the end I was quite satisfied with the overall Standing of the bear.

phase 5 sidea (768x1024)

Phase 6

Ok so Now I am have brought the bear into the Studio Gallery to do the final cuts and bring the the form to a finished point to then begin the sanding and polishing process. You can see in the image below that I have now cut off the base and the bear is standing on its own with a few adjustments required.

phase 6 bringing it in for sanding  (768x1024)

Phase 7

So the sanding and polishing phase is actually quite an extensive process. I probably spent probably over 20 hours on the sanding and polishing of this bear. Its can be tricky to get into all the groves and crevasses. This one was particularly tricky because of the ‘tuft of hair’ around the neck of the bear which had allot of intricate parts to sand and polish.

If you take a close look at the picture on the right you can see I started with the polishing process and started with the top and am here half way down. The polishing process is quite cool and really brings out the natural patterns and colors of the stone.

Phase 8 polishing - top half is polished (768x1024)20130523_084642 (768x1024)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

phase 7 more sanding (768x1024)

Final Phase

The final phase is where you say “there I am done” and then take it out and set it up and realize “oh shoot I missed a spot” I mean one can really go on forever in this stage, finding all the little scratches and things like that that you could keep adjusting and going over forever. And so in this phase you bring your piece back into the studio and do some real fine tuning.

 

phase 7 front (768x1024)

Phase 9aReady to go into the gallery (1024x768)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Real Final Phase

Finished and in the Gallery!

 

Phase 10a Going into the Gallery (768x1024)Phase 10 In the Gallery (768x1024)

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For more on fathom stone art gallery please see link – http://fathomstone.com/View_Gallery_Sculptures.html

Enjoy.

 

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